They still sound just as powerful and unique as they did in 1991.Īnd anyone looking for the seeds of the late-'90s rap metal movement need look no further than "Sufferage" to see where Robinson first captured this unique tension three years before he would apply it to Korn. Why amazing songs like "Echoes of Innocence" and "Dragged Down by the Weight of Existence" were left off the initial release is a mystery. This works in the band's favor much more than against it, although the drums are buried too far into the mix to be appreciated.īell sounds amazing here, jumping from the beautifully mournful moans on "Echoes of Innocence" to a horrifying yelp on "Self Immolation" that doesn't even sound human at times.īut this is the better album, coming off like a woefully lost Helmet/ Morbid Angel jam session more than a debut album from an unknown L.A. I wanted something more concrete so that I could change the world and be closer.
#FEAR FACTORY CONCRETE RAR RAR#
For the purpose of this assessment the release factor of 0.54 will be taken as. The RAR now works with key state agencies and development institutions.
#FEAR FACTORY CONCRETE RAR MOVIE#
The discordant guitars, clear vocals, movie samples, and monstrously distorted bass are the primary elements of the disc, taking away Richardson's insistence on chunky guitars and strong percussion. industry production of concrete, fibrated concrete, lime and dolomite. In what would be the very first album he ever helmed, Robinson's approach takes some of the sludge out of the mix and brings up the elements that keep it vital and interesting. This album was originally recorded in 1991 and intended to be the first full-length by Fear Factory, but the band wasnt happy with the record deal they were in, so they ditched their producer, then-unknown Ross Robinson. Produced by a young Ross Robinson, this is an important record for both artists. That segregation may be the result from a sort of fear of the unknown.
Produced by Colin Richardson ( Carcass, Napalm Death), that album was the necessary tool that would set the pace for the remainder of their career.īut the first album they ever recorded was actually Concrete, a much different beast than the record that they became known for. electroacoustic and concrete music, field recordings and sound art, noise. Soul of a New Machine, Fear Factory's first nationally released album, introduced them to the metal world as a brutally heavy death metal act with a few post-hardcore touches.
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